集裝箱民宿 | 隱匿在蘆葦蕩中木屋生態(tài)民宿_上海集裝客

類型:建筑

材料:木材

分類:休閑娛樂?酒店

客戶：大葡萄園小木屋

在未遭受開墾的環(huán)境中，自然是這里唯一的主角。環(huán)繞在葡萄園和湖泊環(huán)境里，任何人為的建造形式都有可能顯得格格不入。于是，將建筑于環(huán)境中消隱似乎是最佳解決辦法，帶著業(yè)主的期待，這里將成為最佳的垂釣之處。

Building on a lake surrounded  is a challenge. In a magical and untouched place like the Mediterranean maquis, nature is the only protagonist of the scene. The imperative for the architect remains the absolute camouflage with the existing landscape. Clients have envisioned this eco-lodges project choosing as their site an incredible fishing reserve ,a few kilometers away from Avignon.

▼遠(yuǎn)視，view from distance

十套酒店客房隱匿于蘆葦蕩中，它們?nèi)缰穹ぐ闫≡诤嫔?，看似簡單，實則十分精巧，讓居住者仿佛回到史前時代的居住環(huán)境。獨(dú)特的造型給予來訪者超乎想象的居住空間，又在開闊的環(huán)境中為來訪者覓得一處私密處所。

10 suites, simple but sophisticated, evoke primitive constructions in lake reeds: floating on the water like rafts, on pilotis along the banks like real palafitte or underground, like a troglodyte dwelling, the eco-lodges of the Grands Cépages rise along the lake of La Lionne, privileging the most particular and sought-after view for each one, always preserving the privacy of the inhabitants.

▼分布在湖面上的十棟小木屋，the huts distributed on the lake

建筑立面透過木質(zhì)柵板展現(xiàn)出向上生長的勢頭，與湖中搖擺的蘆葦建立了趣味性的對話。與之呼應(yīng)的，環(huán)繞四周的蘆葦轉(zhuǎn)變成建筑的天然屏障，既將其隱藏在自然環(huán)境中，又保護(hù)了居住者的私密環(huán)境不受侵?jǐn)_。

The architecture of the lodges dialogues perfectly with the lake reeds, taking up the vertical and elegant upward momentum and then rationalizing their arrangement, much more geometric, regular and repetitive. In this way the hut remains hidden by a vegetable filter – like a light screen – that in addition to being the same structure as the parapets and the pergola, filters the direct view on the terraces of each lodge.

▼立面木質(zhì)柵板與湖中蘆葦建立了趣味性對話，the facade of the architecture set up a dialogue with the water reed

季節(jié)的變幻和日間天色的變化不斷改變著建筑的外貌。在樹葉的映襯下，建筑在景觀中若隱若現(xiàn)。冬季里，白雪覆蓋湖面和岸邊，建筑在水中泛起微弱的倒影。日間，陽光穿透柵板在房間內(nèi)舞動，為假日居住帶來趣味性體驗。日落時，木屋景象則完全顛倒。建筑安靜的沉睡在黑暗環(huán)境中，月光灑在小木屋上，僅有屋內(nèi)的金黃色燈光從木柵中滿溢出來，如燈籠一般，氛圍寧靜又祥和。

The changes of the seasons and the hours of the day constantly transform the presence and the dynamics of the hut with the landscape. With leaf trees, the architecture integrates with the landscape in a perfect game of camouflage. In winter instead, with the earth and the lake gathered under a blanket of snow, the vertical lines of the battens are reflected on the water. During the day, the experience inside the suite is a play of light and shadow with the sun filtering through the screening. After sunset the effect is reversed, immersed in darkness and illuminated only by the moon, the hut evokes a lantern, radiating the internal golden light between the wooden slats.

▼建筑與景觀相互映襯，view connections of the architecture and landscape

▼居住內(nèi)部，the bedroom

▼夜色中滿溢的金色燈光，the golden light coming through the hut into the night

為了避免偏遠(yuǎn)地區(qū)建筑建造的不可預(yù)見性，建筑大部分工程均采用自Pyrenees一家木工房打造的預(yù)制構(gòu)件。所有組件均進(jìn)行編號，并在3個月內(nèi)組裝和搭建完畢。預(yù)制構(gòu)件降低了生產(chǎn)成本和人力成本，也減小了對場地自然環(huán)境的破壞。

In order to simplify the unforeseen in a remote site, the project was largely prefabricated in a wood workshop in the Pyrenees. The components were numbered, dismantled and rebuilt on site in 3 months. Prefabrication reduced production costs and labor costs during installation, impacting the landscape as little as possible.

▼剖面及平面，section and plan